2016-2017 Concert Season
Wholly Handel! – September 17 & 18, 2016
One of the titans of western music, George Frideric Handel’s name has never disappeared from concert programs since his death, an amazing feat considering how many of his once-famous peers faded into relative obscurity. We’ll open our season with a sampling of Handel’s orchestral and choral output, including the Oboe Concerto in G minor featuring oboist and Artistic Director Billy Traylor, the Concerto Grosso in B-flat major (op. 3 no. 1), Zadok the Priest, and instrumental pieces, arias, and choruses from Israel in Egypt, Messiah, Belshazzar, Solomon, Rinaldo, Giulio Cesare, and more! Click here to learn more.
Native Tongues – November 5 & 6, 2016
The Spanish and Portuguese conquistadores encountered a myriad of cultures upon their arrival in the New World. These indigenous peoples spoke an array of languages, and the colonizers used their knowledge of these languages in their conversion of the natives to Catholicism. Our fifth annual program of Latin American music will include a wide variety of sacred pieces from 16th- and 17th-century Spain, Mexico, Guatemala, and Bolivia, with texts in Nahuatl, Quechua, Chiquitano, Spanish, Portuguese, and Latin, including works by Gaspar Fernandes, Domenico Zipoli, Antonio de Salazar, Tomás de Torrejón y Velasco, and the ever-popular Anonymous. Click here to learn more.
Friends & Family – January 28 & 29, 2017
Composers in the past didn’t live in a bubble! With so many musicians working in Europe in the late 18th century, it’s no surprise that so many of them were friends, or even related to one another. They spent plenty of time together on and off of the job, and all of them were familiar with the works of the others. Music by Mozart père and fils, Salieri, J.C. Bach, and Joseph & Michael Haydn. Click here to learn more.
J.S. Bach’s Passion According to St. John – March 18 & 19, 2017
Bach composed the St. John Passion for Good Friday services in Leipzig in 1724, and it remains a testament to his brilliant genius and emotional depth. Though more intimate than the St. Matthew Passion, this setting of the story of Christ’s death is no less moving. Austin’s first period-instrument performance of the Passion in a number of years will feature several of ABO’s talented vocal and instrumental soloists in a Lenten concert, the ensemble’s first presentation of this monumental work. Click here to learn more.
Forces of Nature – May 6 & 7, 2017
We close our sixth season with 18th-century orchestral music inspired by Mother Nature herself! From Haydn’s depiction of morning (Symphony no. 6, “Le matin”) to Jean-Féry Rebel’s musical retelling of the Ancient Greek creation myth (Les Élemens), you’ll see that many baroque and classical needed only look outside their door for compositional ideas. We’ll also bring you nature-inspired arias from Handel’s Scipione and Rameau’s Platée, sung by soprano Julianna Emanski, and we’ll close with JS Bach’s virtuosic Brandenburg Concerto no. 1. Click here to learn more.
2015-2016 Concert Season
Music Fit For a King (or Queen) – August 22 & 23, 2015
Since ancient times, royals have inspired the pens of composers, whether through their (mis)deeds or their patronage. We open our fifth season with music written for or about royalty, featuring Haydn’s Symphony no. 85, called “La Reine” because it was said to have been Marie Antoinette’s favorite, and including works by Purcell, Zelenka, Dauvergne, and Vivaldi. Learn more.
Les goûts-réünis, pt. 1 – Gli italiani – October 3 & 4, 2015
Seventeenth-century Italian music is dazzling, mercurial, virtuosic, passionate. This exciting repertoire set the stage for the high baroque as it percolated northward from Italy into Austria and beyond. Join us as we dazzle you with a variety of works from the Italian seicento, including music by Monteverdi, Uccellini, Merula, Corelli, and Biber. Learn more.
A Tale of Three Cathedrals – November 14 & 15, 2015
The cathedral archives of Latin America hold a treasure trove of sacred music written for the many holidays and feasts of the church year. Our annual concert of Latin American music will feature music from Mexico, including ornate baroque works by Sumaya and Salazar, along with pleasant galant music by Jerúsalem, Billoni, and others. Learn more.
Les goûts-réünis, pt. 2 – Les français – February 20 & 21, 2016
Grace, elegance, and delicacy are just a few hallmarks of the music of the French Baroque. From the court of the Sun King to the salons of Paris, this highly ornamented music of French composers tickled the ears of courtiers and philosophers alike. Works by Marais, Lully, Boismortier, Rameau, and more. Learn more.
Magnificent, Miraculous, Magical Mozart – May 28 & 29, 2016
We close our fifth season with a celebration of the wunderkind of Salzburg! Mozart’s music continues to astound with its sublime beauty, grace, and balance. We’ll present a variety of masterworks including the Symphony no. 33, the Bassoon Concerto in B-flat major with ABO bassoonist Elizabeth Hardy, and the Coronation Mass, featuring soprano soloist Meredith Ruduski. Learn more.
2014-2015 Concert Season
Water Works – August 23 & 24, 2014
The Austin Baroque Orchestra kicks off its fourth season with a series of pieces inspired by water. We’ll play Handel’s beloved Water-Musick, composed for a barge party on the River Thames, and feature ABO hornists Drew Stephen and Kevin Miescke on a concerto by Vivaldi, a native of the watery city of Venice. Along with that, we’ll thrill you with Telemann’s musical depiction of water deities and rushing tides, and an exciting musical storm from Marais. Learn more.
Youthful Indiscretions – October 4 & 5, 2014
Some of classical music’s heavyweights died young, but in those short lives many of them composed more exquisite music than others who lived twice as long. The ABO will captivate you with Mozart’s cheerful Violin Concerto in G major, featuring concertmaster Edmond Chan, and move you with Pergolesi’s stirring Salve Regina in C minor. Add to that music from Schubert and Mendelssohn, and you’ll be amazed that such music could have flowed from the pens of such young men. Learn more.
España Antigua, Nueva España – November 15 & 16, 2014
The cathedrals of Old Spain and New Spain required a great deal of high-quality music, and their chapelmasters were all too happy to oblige. Our annual concert of Latin American early music will feature works from Old World masters (including Morales and Victoria) as well as New World composers, including Padilla and Capillas, along with Mexico City Cathedral’s last four colonial chapelmasters: Sumaya, Jerúsalem, Tollis de la Rocca, and Juanas. Learn more.
A Cantata By Any Other Name… – March 14 & 15, 2015
You probably are familiar with the term “cantata,” but did you know originally it simply referred to a piece meant to be sung? We’ll show you the wide variety of sacred works for choir and orchestra in the Baroque era, including a motet, an ode, a Marian hymn, and a Lutheran cantata. Featuring J.S. Bach’s masterful Jesu, der du meine Seele and Charpentier’s regal Te Deum in D major, along with works by Buxtehude, Galuppi, and Jerúsalem. Learn more.
Handel’s Esther – May 23 & 24, 2015
Handel’s operas were wildly popular in London. They were so popular that the immigrant Handel was soon the most famous musician in the English capital, and he had more than his share of friends, enemies, and frenemies. He soon sought to find ways to make even more money by composing, and in the process created the musical genre most commonly associated with his name: the English oratorio. Some of the master’s most popular music originated in these operatic retellings of Biblical stories, and a number of them are still performed regularly today. Esther was his first, a 1732 reworking of a masque he originally wrote for the Duke of Chandos in 1718. Learn more.
2013-2014 Concert Season
The Dresden Files – September 14 & 15, 2013
Join the Austin Baroque Orchestra and Coro Settecento for our third season with the virtuosic music of the Saxon court at the time of Augustus the Strong. Featuring solos from violinist Edmond Chan and countertenor Sawyer Sellers, we’ll be playing music by Zelenka, Hasse, Vivaldi, Pisendel, and others.
Croissant Baroque – October 12 & 13, 2013
We return to our origins as a chamber ensemble, presenting French chamber music from the time of the founding of New Orleans. Experience what an aristocratic, mid-eighteenth century musical soirée in the Crescent City might’ve been like, with works from Couperin, Boismortier, Corrette, Clérambault, and more.
North & South – November 16 & 17, 2013
The music produced in Spain’s colonies in the New World was just as ornate, complex, and beautiful as anything found in the mother country, and this music is only recently being rediscovered. Join us as we explore the sacred music of Mexico, Bolivia, and Peru, including Ignacio de Jerúsalem’s rarely-performed Matins for the Virgin of Guadalupe, and music by Zipoli, Padilla, and more.
Haydn-Go-Seek – March 8 & 9, 2014
You’ve heard of Papa Haydn, but did you know he had a little brother? Along with excerpts from Michael Haydn’s Responsories for Holy Week, we’ll play (among other works) Joseph Haydn’s “Alleluia” Symphony, the Nicolaimesse, and will feature organist Steve Wiberg on the charming Organ Concerto in D major, all using replicas of Classic-era instruments. Learn More
Carl Heinrich Graun’s Montezuma – April 12 & 13, 2014
Experience the sumptuousness of baroque opera as we present the story of the Spanish conquest of Mexico, with music by Frederick the Great’s opera maestro Carl Heinrich Graun, and a libretto by none other than Freddie himself. Our first operatic production will be semi-staged and sung in Italian with English supratitles. Learn More
Salon Classique – May 24 & 25, 2014
Settecento will close its third season with the sublime chamber music of the Classic era. You’ll enjoy this chamber music the way it originally was, in an intimate setting, using Classical instruments. We’ll revel in the youthful brilliance of Mozart, the humor and wit of Haydn, and the exotic, Spanish influences of Boccherini, along with equally charming fare by J.C. Bach and Christian Cannabich. Learn More